Jan Ellison

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Jan 03 2016

Writing sex scenes when you’re a mother of teenagers

“How does it feel to know that your teenagers will now know their mother has a sexual imagination?”

This was perhaps the most provocative of the questions that came my way after A Small Indiscretion was published, and it threw me. In a review in Bustle, Rebecca Kelly calls the sex in A Small Indiscretion “decidedly un-erotic, even uncomfortable or cringe-worthy.” Is this, then, what my kids might assume constitutes their mother’s sexual imagination?

My 19-year old son asked to read the book when the Advance Reader Editions arrived. It sat on his nightstand for a long time, bookmarked at page 30. Every so often I’d sneak in his room to see if he’d progressed, but the book mark never moved. I finally told him he shouldn’t feel any pressure to finish the book if he didn’t want to, and he seemed relieved. He said maybe it was a little too character driven for him. Only later did he admit the truth. The son character, Robbie, plays the piano and is a good swimmer, enough similarity to make my son uncomfortable. The novel is written in the form of a letter from a mother to her son, which certainly must have contributed to my son’s unease.

The book did time on my 17-year-old daughter’s nightstand, too. The bookmark got stuck about half way through. “It’s not that it’s not good or anything,” she said. “It’s just…I mean…I know it’s not you, but I know you, so I can see where your ideas come from, and it’s just kind of weird.” As far as I know, neither one of them ever got to the sex scenes, un-sexy or otherwise, which is a relief. My other two kids, daughters aged 11 and 14, are young enough I’ve simply told them they’ll have to wait.

In the writing of the book, I always knew that the narrator, Annie Black, was only writing for herself, that she would no more share her sexual experiences with her child than I would. I knew her confession would never find its way into anyone else’s hands, and as I wrote, I had to persuade myself the same was true of my novel, that I would be the only person to read it. I locked myself in the room of my mind and followed the characters wherever they went, even into bedrooms in which they undressed. But I was never uncomfortable writing the sex scenes, not only because they aren’t explicit, but because it was the underlying emotional truth I was focused on describing, not the sex for its own sake.

The Bustle review goes on to say that the un-sexy sex scenes have a “gritty emotional realism,” that they are there “to intrigue, not titillate.”  I hope this is true; as critical as at least one of them is to the plot, the sex scenes, to me, felt minor relative to the scope of the story. So I was taken aback when again and again, readers called the sex out. My husband read the book for the first time and pronounced it “a sexy page-turner.” The jacket copy my editor wrote included the term “sexual desire,” and reviews referred to “sexual antics” and “sexual confusion.” I ought to have been prepared for this, perhaps, but I wasn’t.

When I published my first short story, The Company of Men, which went on to win an O. Henry Prize, I remember a moment of panic when I realized my mother-in-law was likely to read it. There isn’t any graphic sex in that story, either, and yet I felt ashamed of paragraphs like this one:

“And beyond that, where my husband’s arm had been, was only the back of the couch. There was no sign of the formidable wrist, the sturdy thumb, the callused, well-loved palm. There was no further sign of my husband in the room at all. I was on my own in the company of men with the makings of a straight in my hand, aces high. Desire was thumping in my chest and the instinct to win, to go forward with abandon, was shooting through me, across the back of my neck and down between my legs . . . Then all at once there was a knee pressed purposefully against my thigh beneath the table.”

The protagonist was born out of my imagination, after all. Would I no longer be perceived as a nice girl who fit well into my husband’s traditional, Catholic, mid-Western family?

My mother-in-law read the story. She complimented me on it, graciously, and when my novel came out a year ago, she wrote about it to all her friends. My father-in-law was in the hospital shortly after the novel’s release, and he bought copies for all the nurses who’d cared for him during his stay. Neither of them seem ashamed; they seemed proud.

Then again, they’re adults. My kids aren’t, quite.

Written by admin · Categorized: Parenting, Writing · Tagged: A Small Indiscretion, Alice Munro, Amazon reviews, Antonya Nelson, book giveaway, Carol Shields, Happy Meals, Margaret Atwood, O. Henry Prize, teenagers, writing sex scenes

Dec 10 2015

The Mania of the “Best of” Lists

A Small Indiscretion has been included in the long list of 86 titles culled from the year’s finest fiction, a few of which will make the cut for the short list and be entered into Tournament of Books 2016.

I am thrilled with this news. I am grateful to whoever it was who placed me among so many authors I admire, and I am relieved not to have been overlooked. I am also dismayed that so many fine books are not on this or any other list; I am appalled that we look to lists to tell us who’s worthy, and who is not.

The post with the long list for the Tournament of Books 2016 asks readers to vote on their favorite work of fiction published in 2015, whether it’s on the list or not. Favorite, not best. That’s a step in the right direction. But when I asked myself that question–what was my favorite work of fiction published in 2015?–I was stumped.

Why? Because any book I read from beginning to end is my favorite while I’m reading it. If I’m drawn in by the voice, if I’m delighted by the sentences, if the characters feel human, if I even once pull out my pen to underline, then the book is worthwhile. And a worthwhile book will always be a favorite, because it has given me one of the most meaningful experiences of living, one unlike any other, the gift of being lost in a novel.

Asking me to choose a favorite book is like asking me to choose a favorite among my four children; they are all my favorites. Each has challenged me, surprised me, delighted me, disappointed me, made me laugh, made me cry, blessed me with immeasurable, and particular, joy.

We are a society that loves to compare, to rank, to win. There’s no way around it. But I would like to say to every single one of the writers out there who managed to pull off the improbable feat of finishing a novel and publishing it in 2015: You are a favorite. There are readers out there for whom your book mattered, not because it was the best book (there is no such thing as a best book, just as there is no such thing as a best child), but because it meant something to them personally; it moved them, it reminded them, it let them leave their own life for a little while and enter a different world. It gave them joy.

May you all have holidays full of novels and joy.

Jan

Written by admin · Categorized: Publishing · Tagged: A Small Indiscretion, compare, favorite child, mania, many fine books, Tournament of Books

Featured Radio Interview

Jan interviewed by Mark Perzel


WVXU Cincinnati 91.7, The Book Club
March 25, 2016

Featured Video

Jan and other featured authors at the Pasadena Festival of Women Authors


Pasadena Festival of Women Authors
Pasadena, California, April 9, 2016

Featured Interview

Every Notebook, Photo, and Letter: Jan Ellison interviewed in American Short Fiction

Interviewed by Rachel Howell
July 12, 2016

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